I’ve never believed in Writer’s Block. I always thought it was a convenient excuse for soft people who didn’t want to do the hard work of sitting in a chair for hours on end, wrestling with the thousands of words needed a create an entire book.
Out with the old, in with the new is our topic this month, and it’s been a thought-provoking subject for me because for the first time ever, I have no idea what to write.
I fear all the usual things; snakes, heights, enclosed spaces, dark alleys at night. I also fear driving on the Beltway, people not liking me and a worldwide shortage of gluten free Twinkies.
“Transition” is a soft and gentle word for a serene flow from one thing to the next. “Transition” is also fancy word for “change,” and as we all know, change is a no fun whatsoever.
Most of the writing advice I consider “bad,” isn’t really bad at all. It’s usually perfectly good advice that just doesn’t work for me. Conversely, my idea of good writing advice is probably terrible advice for someone else.
It was all so thrilling and perfect, if you were a thirteen-year-old girl, which I was. After it became obvious to me that I couldn’t go to Narnia, I wanted to crawl into Trixie’s world and live there instead.
I have a reoccurring dream where I’m standing in the middle of a shopping mall surrounded by people and suddenly realize I’m not wearing a mask.
At first, it was like a forty-pound sack of potatoes fell from my shoulders and I was free, even though I was confined to my house.
This year I learned the meaning of word ‘endurance.’ I learned it by watching a show with my kids called, I Shouldn’t be Alive.
This month we’re talking about setting. I was thinking a lot about this on a trip to California where I had the strange experience of walking around inside someone else’s imagination. It was spring break and we were in California to visit family. While there, we stopped at Universal Studios to see Harry Potter World.